大象传媒

Introduction

For this conference, we invited papers by scholars from a variety of fields (art history, anthropology, cultural studies, ethnic studies, postcolonial studies, film and media studies, gender studies, history, literature, natural sciences, etc.), who are interested in the ways in which the colonial archive has preserved or impacted the construction of the emblematic figure of Black Venus.

Not only do representations of Black Venus often derive from the conflation of exoticism with eroticism, they also embody dichotomies between desire and fear, staging or reading the body as 鈥渁 cultural rather than natural artifact鈥� (Brooks), the myth of racial difference, and 鈥渋con for deviant sexuality,鈥� thus pathology vis-脿-vis normal sexuality (Gilman).

Black Venus, as understood in this context, is not exclusively bound to the Atlantic world of slavery but serves as a generic concept, long embedded in Western culture, which has advanced and challenged different manifestations of the myth of 鈥渆xotic鈥� female sexuality.

Workshop chairs:

Jorunn Svensen Gjerden: Jorunn.Gjerden@if.uib.no

Kari Jegerstedt: Kari.Jegerstedt@skok.uib.no

沤eljka 艩vrljuga: Zeljka.Svrljuga@if.uib.no

Program

See link below.