大象传媒

Welcome to a guest lecture with prof. Kristin Bliksrud Aavitsland, MF/Oslo, in association with the research group 'Images of knowledge'

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This talk reflects听Aavitsland's听current research which is at its initial stage, and what is presented should indeed be considered a work in progress. Comments and criticisms are most welcome. Aavitsland听starts from two central aspects of Christian doctrine: first, the idea that humans are created 鈥渋n the image and likeness of God鈥� (ad imaginem et similtudinem Dei), and second, the thought that this same God was incarnated as man. These two notions, absolutely fundamental to Christianity, revolve around ideas about the binding relationship between the human and the divine, but also about reflection and representation. In medieval times, they became significant to theories about images, image making, and representational practices.听Since the incarnate God was accessible to human senses and thus available for visual representation, the visual media were given a certain dignity. Furthermore, the practice of image-making was endowed with a metaphysical dimension: craftsmanship, and especially the crafting of human images, was regarded an echo of God鈥檚 initial creation. In Aavitsland's talk, she听will look further into how some authors during the twelfth and thirteenth centuries applied these notions when writing on the visual arts. After having traced ideas like these in theoretical tracts and edifying literature, Aavitsland听will discuss whether these theologically informed conceptions of image and image-making had practical consequences that may be observed in surviving works of art. Sculptures of saints stand out as theologically salient objects in this context, as the saints were themselves crafters of images: through their efforts to follow Christ they became projections of Christ (imagines Christi).听